Lights Out (2024)

This is one Ty and I covered back on episode 162 of the podcast, our "Dermot Mulroney Double Feature" episode, almost a year ago now, and I've been meaning to get it on the site as well. Beyond the Adkins factor, we've been meaning to get more Grillo on the site too--or fire up the Grillo, as we like to say here. In addition to us, Chris the Brain at Bulletproof has covered this as well.

Lights Out has Grillo as a former soldier who has just left the service, and is looking for work. After beating up Kevin Gage and some other ne'er-do-wells at a bar, he catches the attention of Mekhi Phifer, who gets him involved in the underground fight game. But it turns out Phifer's sister is into mob guy Sage (Dermot Mulroney) and the cop who's working with him, Glenn Close (Jaime King), because her abusive ex-boyfriend hid a duffle bag full of money at her house, and they want it back. Now Grillo doesn't just need to win some fights, but he needs to bring these baddies down, and to help him do it is old Army buddy Scott Adkins. Will he prevail?

This isn't horrible. It's directed by Christian Sesma, and his films have a higher floor, which helps in this sea of options we have on places like Tubi and Hulu. I think from a story standpoint, there's a lot going on, which hampers it a bit. The concept itself is one of those I'd say has enough material for an episode of a syndicated action show, and there are two ways to get something with that much material from 42 minutes to 90s minutes: you pad the hell out of it, or you add a bunch of stuff, and this one went for the latter. Still, the fights were good, Grillo gives us another solid lead, Phifer, JuJu Chen, and Mulroney were fun, we had the novelty of an Adkins appearance, plus Jaime King was playing Glenn Close! (More on that later.) Overall, this is a fun 90-minute time killer.

We're now at five Grillo films on the site, which isn't a lot when you consider how much DTV stuff he's done, but when you look at it all, he doesn't co-star with a lot of names like Adkins or Dolph, he tends to be the star power himself, which means we need to carve out specific reviews for him, something that I think will come more often as we start to finish off some of the old guard--though if they keep making movies at the rates they've been, it may not be as easy. We do have two others of his in the can right now, Black Lotus and A Day to Die, plus I'm looking forward to Hounds of War finally being available on streaming. What we get here is more confirmation that Grillo is a great lead in these movies, and with the baddies we've seen him play, he's someone who can slot into a lot of different roles and elevate a DTV film beyond its budget. The other interesting thing is it looks like James Gunn's DC reboot is utilizing him more than the MCU did, which is DC's gain and Marvel's loss, but also means it could be our loss as well if his profile starts to extend further beyond the DTV realm. We'll see, but in the meantime he has a lot of DTV back catalog for us to get to.

Mr. Adkins is at 29 now, so he's on the cusp of the 30 Club. I wanted to try and get him and Michael Jai White, who's at 28, in around the same time, but with three more Adkins films I have in the can to review, he might not only get in ahead of White, but end up a few films ahead of him in the process. This is a very small role, so had he already been at 29 I would've tabled this for a bit, because it wouldn't have been worthy of his 30th film. This is the second time we've seen him in a Sesma film, the other being a small, yet larger than this, role in Section 8, which also had Dolph. He's still pumping out a few movies a year, and even though some are like John Wick 4, which we probably won't review, most of them are DTV, so once he passes the 30 Club threshold, it won't be long before he's in the 40 Club too. Even with a small role, they all count the same, so the next time we see him here he'll officially be in the 30 Club.

Christian Sesma is a director who's been on my radar for a bit, especially for films like this that have a lot of names, and a look and feel that gives them a higher floor than most modern DTV. He's far down the list of directors whose movies we've done, as this is only his third, but I see a bunch that could be reviewed which could get him closer to some of the other names sooner. He has a couple with Michael Jai White, for instance, that are definite reviews just because they have White in them. The other thing is almost all of his stuff is on either free streamers or ones I'm subscribed to, so I can move through his filmography a little quicker. Compare that to Jesse V. Johnson, who I have 8 films left to cover, but I think only three of those 8 are on streamers; or Isaac Florentine, whose most recent is still rent only, while Sesma's most recent is already on Hulu.

Finally, the kids always talk about something not being on their "bingo card," and I'd say for Ty and me when we were discussing this, Jaime King playing Glenn Close was not something we had on our bingo cards. What was the mindset there? Was it "we can't afford Glenn Close, but this should really be her part"? Or did King say "I'm only playing this part if I can play her as Glenn Close." And she's a corrupt cop, so it's an Evil Glenn Close. It just added this bonkers element to the proceedings. When she was in Out of Death or Code Name Banshee she wasn't playing Glenn Close, so it's not like this is a thing she does all the time now. I guess as a one-off I'll go with it, and maybe it makes sense, because Close is such a great actor, who wouldn't want to emulate her--even if this is a bit All About Eve if she is.

And with that, let's wrap this up. You can currently get this on Hulu, which I think is a good deal. It has its flaws, but overall it's solid enough to get you to the church on time if you have 90 minutes to kill and you're looking for something to watch. And also remember to check out the podcast episode Ty and I did on this, number 162 in the archives, "Dermot Mulroney Double Feature."

For more info: https://www.imdb.com/title/tt16368898

And if you haven't yet, check out my newest book, Nadia and Aidan, at Amazon in paperback or Kindle!

Def by Temptation (1990)

This is one I'd been meaning to do for a long time, and finally covered it on the podcast back on episode 198 with Freddie Young from Full Moon Reviews, so now it's time to get it on the site. In addition to us, Outlaw Vern has covered this, plus Entertainment Weekly, The Washington Post, Joe Bob's Drive-In Movie Review.

Def by Temptation is about a succubus (Cynthia Bond), who is killing men who are playing women in New York City. Is it such a bad thing if she's only killing cheaters? When minister-in-training Joel (James Bond III, who also wrote and directed) goes to NYC to visit his friend K (Kadeem Hardison), he becomes the succubus's next target, so someone not-so not-innocent is now in danger. Hardison has to stop her, and fortunately he's found an ally in Dougy (Bill Nunn), the worst of the players at the bar who just happens to be an undercover cop who specializes in the occult. Will they be able to work together and save Joel before the succubus gets him?

This was a ton of fun. It's not exactly direct-to-video, because it made about $2 million in the theater, but it feels DTV, if you know what I mean. It's the kind of late-night horror you might see on cable or at the video store, something that only gets better with time. James Bond III does a great job crafting a unique yet fun and scary tale, and the robust supporting cast does their job rounding out the proceedings and adding extra weight that a low-budget horror film from 1990 may not otherwise have. Just the opening alone is fantastic, where a bartender is on the phone, cheating on his girlfriend, spitting the funniest lines in the process. Then when the succubus takes him back to her place to kill him, and he's running around buck-ass naked, it's both hilarious, and you kind of feel bad for him. You get the fun, but you also get the nuance of making sure we want to see the succubus stopped. Just an all-around great time.

I mentioned above that this was one I'd wanted to do for a long time. How long? In the early 2000s, Troma was doing a sale, and I bought Sgt. Kabukiman, NYPD, Surf Nazis Must Die, Class of Nuke 'Em High, and Toxic Avenger all for $5 a piece. I believe each of those had a trailer for this movie, with Bill Nunn's classic line, "when she drinks that holy water, she's gonna be slobberin' and fartin' and gaggin'." My buddy and I would always say "we have to watch that!", but then I don't know, the beer, the weed, the Taco Bell, the Doritos--maybe a combination of all of them?--would cause us to forget, and the movie never happened for us. This is what makes the world we live in now great. Yes, there are a lot of issues with streaming, but one of the good things is that a movie that once slipped through my fingers might now be available, and while I may need to sit through a series of commercials about online casinos, with my attention span shot anyway, it gives me a chance to look at my phone.

It turns out this is the third Samuel L. Jackson film we've done on the site. In addition to Arena, he was an uncredited extra in The Exterminator, so I need to tag that too. You'd think with how prolific he is, that he'd have more DTV stuff, but if you look at the timeline, he got the role of Nick Fury not long after we started the DTVC, so in that sense it's probably crazier that he did Arena at all than it is that he hasn't done anything else. On the other hand, this is our fourth Kadeem Hardison film, the other three being the Michael Jai White/Asylum Joint Android Cop and two Mark Dacascos films, Instinct to Kill and the all-time classic, Drive. The Jackson we get is rather scant, a bit at the beginning and a bit in the close; but the Hardison is prodigious and he's a lot of fun. A classic for both of them to be sure.

This was distributed by Troma, with Lloyd Kaufman and Michael Herz as executive producers. When I started this site back in 2007, Troma was a huge part of my DTV watching life, and I figured I'd have more of their films reviewed than any other company--I didn't even have PM on my radar then. But as I've said before, soon after I started, people were reaching out about the action films I was reviewing. At that time there weren't many of us doing low-budget action--and there really aren't many more now--while the horror review ecosystem was much more robust, which meant those reviews were more likely to get lost in the shuffle. Take this film for example, it has 30 critic reviews. For a somewhat obscure low-budget horror flick from 1990, 30 is a lot. A good comp might be One Man Force, a classic that came out in 1989, which only has 10 reviews, of which four are Bulletproof, Comeuppance, Explosive Action, and us. So that means we have nearly 50 PM flicks reviewed, while this is only our 13th Troma flick. I'll see what I can do about getting more up in the near future.

Finally, saxophone great Najee plays himself in this, and also performs a song. What you may not know about me is I'm a huge Smooth Jazz fan, especially if it's saxophone-led, so Najee is one that's right up there for me. I love his cover of Anita Baker's "Sweet Love," and of course, "Tokyo Blue," you could play that whole album, also called Tokyo Blue, it's great top to bottom. Another song is "All I Ever Ask," which isn't bad either, but features Freddie Jackson, who also stars in this as himself. Was this where they met before their collaboration? Another nice hit off that album Just an Illusion, he covers Color Me Badd's "I Adore Mi Amor." If you're not into Smooth Jazz, give it a try, it's not just for Weather Channel's "Weather on the 8s" anymore.

And with that, let's wrap this up. You can currently get this on Tubi, which I think is a good deal. It's a horror classic with some great names, really well put together by James Bond III. And also check out the podcast episode Freddie and I did on this, number 198 in the archives.

For more info: https://www.imdb.com/title/tt0099395/

And if you haven't yet, check out my newest book, Nadia and Aidan, at Amazon in paperback or Kindle!