The Direct to Video Connoisseur

I'm a huge fan of action, horror, sci-fi, and comedy, especially of the Direct to Video variety. In this blog I review some of my favorites and not so favorites, and encourage people to comment and add to the discussion. For announcements and updates, don't forget to Follow us on Bluesky and Like our Facebook page. If you're the director, producer, distributor, etc. of a low-budget feature length film and you'd like to send me a copy to review, you can contact me at dtvconnoisseur[at]yahoo.com. I'd love to check out what you got. And check out my newest book, Nadia and Aidan, over on Amazon.
Showing posts with label Ivana Baquero. Show all posts
Showing posts with label Ivana Baquero. Show all posts

Saturday, November 26, 2022

Black Friday (2021)

This is one I've had on my radar for some time, especially to get more Michael Jai White up, but it was never available on a streaming service I was subscribed to, so I had to wait. Then Xfinity gave us a free week of Starz, and sure enough, this bad boy was on there. In addition to us, there are 69 critic reviews, none of which are any we're friends with.

Black Friday is about a toy store in Massachusetts that's gearing up for a big Black Friday sale. We have Devon Sawa, the single dad who needs to leave his kids for Thanksgiving, Michael Jai White as the maintenance guy, Bruce Campbell as the store manager, Stephen Peck as his second in command, Ivana Banquero as the young worker with a good head on her shoulders, and Ryan Lee as the poor schlub everyone craps on. Then, as if Black Friday couldn't get any worse, the customers become violent and attack the staff. Turns out they're infected with something, and they're infecting more people and gathering to some kind of big event. It'll take everything our staff has to get out of this alive and make it home to their families for Thanksgiving.


This is a fun time, especially at a good runtime, but it also felt a bit dated. Black Friday here in America was a lot crazier five to ten years ago, but in the 2020s when this was made, we'd already moved on from that craziness. Maybe we can't blame the film on that, because it looks like it was shot pre-pandemic, and the pandemic really crushed the remaining elements of crazed in-store shopping that lingered as the concept of Black Friday as we knew it was dying out, but I don't know if any of the jokes about crazy shoppers on Black Friday were new at all either. On the other hand, as a horror comedy, I had fun with it. The characters were fun, the gore was fun, and the aliens were well-crafted, plus I think the commentary on corporate America was as relevant now as it ever was, even if the idea of Black Friday that the film was espousing wasn't so much. I also liked the fact that they delved into a bit on how poorly retail staff are treated, both by the customers, and by their management. The idea was that 100 years ago when retail as we knew it was forming, stores gave the burgeoning middle class, who couldn't afford servants, the feeling of what it was like to have their own servant--the retail worker--for the couple hours they were shopping. There's a sense that these aliens are that concept run amok 100 years later, but we only get a sense, and I feel like that could've been explored more. The same thing with the idea of the store manager. Campbell gives us a taste of how he feels, but we only get the taste--like when he says "I get to order everyone around, from the coolest guy to the geekiest"--but I think like the other aspect we could've used more than a taste. Overall though, for people who enjoy a good horror comedy, I think this will work for you.

We'll start with our DTVC Hall of Famer, Mr. Michael Jai White. I had planned on doing a birthday post for him a couple weeks ago, but work was crazy, so I'm making up for it now. Spoiler alert, he gets killed off midway through, which was too bad, because I think after Ivana Baquero, he was the best performer here, as he brings a unique blend of action ability and comedic sensibility. The problem I think is that they wanted Sawa's character to be part alpha male part guy who's cool but not that cool, and having White there diminishes him on both accounts. That hurt the movie for me though, because White's mix of action and comedic ability made him one of the best characters and most fun to watch. This is a bit of a theme I found in this film, characters were often sprouted, but seldom fully formed, and while I appreciate that when the movie has a tight runtime, I think White was one whose character suffered as a result. This is now 21 films for White on the DTVC, and every time I think we're going to get more reviews for him, I don't make it happen--his last one was February, and his last one before that was June of 2021. For someone with the work he has out there, I should be doing at least 4 films a year like I do for other big names. 30 Club for 2023 I think is too bold, because we'd be talking about almost one review a month for him, but maybe we can do it. And a belated happy birthday! You're truly one of the greats.


This is our first Devon Sawa film at the DTVC, which I think will change because he's doing more DTV stuff now. In this film, he's essentially inhabiting a Poor Man's Jeremy Renner space, and you get the sense that if this had been a big screen theatrical release, Renner would've played this part. But then the film leans into the Poor Man's aspect of it by having him be cool, but not that cool. For example, he has a "thing" with Ivana Baquero's character, who's 16 years his junior, and the film lets us know that she's only fooling around with him to pass the time, but she doesn't take him seriously. You almost never see that in a character of Sawa's type in a film like this getting treated that way, and I don't know that Renner in a big screen production would get done like that. To his credit, Sawa seems to embrace that, but the film almost can't fully, as there's a sense at the end that he does ultimately "get the girl," though they never explicitly say that. Because of the current DTV work he's doing, it's inevitable that we'll see him on here more, and I think this is a good start for him with us.

While this is our first Sawa film, it's our second Ivana Baquero film, the other being the Kevin Costner flick The New Daughter. For me she was the best character in the film, but going back to that concern about characters not being fully fleshed out, hers might have been the worst, even worse than Michael Jai White being killed off early. We get this sense that she's the only one with a firm head on her shoulders, yet she seldom gets the chance to be the leader of the group. Again, it was an idea that wasn't fully fleshed out, like she could've been the Penny to the rest of the characters' Inspector Gadget, especially if we're going to kill White off, but it just never got there and instead we have Ryan Lee and Devon Sawa taking the lead in more instances. The fact that she proved how capable she was though should be a sign that she should get more leading roles in films, and I think with the horror genre, her standout performance in Pan's Labyrinth should always be a selling point on the tin to horror fans.


Finally, for people living outside the US, Black Friday is a holiday you may not be familiar with. It's not an official holiday, but because it's the day after Thanksgiving, which is an official holiday that always falls on a Thursday, many companies give people that Friday off too. Combine that with Christmas only being a month away, the major commerce holiday in a country where commerce is its one raison d'etre, and over time it evolved into the major shopping day of the year. The film gives some history behind the name, that police officers in Philadelphia used the term to describe the traffic congestion due to all the shoppers driving on that day--and Philadelphia has one of the great shopping meccas, King of Prussia Mall, which I have yet to visit. As the day evolved over the years, retailers tried to find ways to exploit it as much as possible to maximize profits, and that's when stores started opening earlier, to the point that they were opening during the evening on Thanksgiving day, which is the backdrop to this story. An interesting note about that though is in Massachusetts, the state that the holiday of Thanksgiving was started in, it's illegal for non-essential retail establishments, like the toy store in this film, to open at all during Thanksgiving, meaning this film as it was created couldn't have existed in Massachusetts, even though it takes place there. The other thing is, over time, people tired of the crush of Black Friday, and with the advent of online shopping--which has its day the Monday after, "Cyber Monday"--or the push to patronize small businesses instead of the large chains--which also have their day, the Saturday after, "Small Business Saturday"--Black Friday isn't the crazy ritualized homage to commerce it once was or the way it's depicted in this film. That being said, I still do my best to stay away from any retail businesses on Black Friday.

And with that, let's wrap this up. I think if you can stream this for free, it's worth checking out. I don't know for a rental it's quite worth it, but if you're a big horror comedy fan it might be. It's a fun watch either way, especially this time of year on a Saturday night.

For more info: https://www.imdb.com/title/tt11649338

And if you haven't yet, check out my new novel, Holtman Arms, at Amazon in paperback or Kindle!

Thursday, February 16, 2012

The New Daughter (2009)

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We continue our big screen stars to DTV week with Kevin Costner in The New Daughter. You may remember, back when I did box office bomb posts, that we looked at Waterworld, so this isn't Costner's first trip at the DTVC rodeo. When I had in mind to do this week of big screen stars in DTV flicks, I was looking for a fourth film, and saw this one reviewed at Deadly Dolls House of Horror Nonsense. It was obvious that I as the Direct to Video Connoisseur hadn't been doing his due diligence, because this bad boy had totally slipped past my radar. I think I'm losing my edge.

The New Daughter has Costner as a writer/father that moves his daughter and son to a remote South Carolina town. At first he thinks his daughter's (played by Ivana Baquero from Pan's Labyrinth) rebellious behavior is a mix of usual teen angst and the stress of the move-- which was prompted by his wife and the kids' mother running off with some dude-- but when that behavior becomes downright creepy, he starts to think the Native American burial mound on the property might be to blame. Will he figure things out in time to save his daughter?

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As a horror flick, you've seen this numerous times before. From the twenty minute mark, when Costner's at the local grocery store and the people behind the counter do the ol' "oh, you moved there?..." "Yeah, why?" "Oh, no reason... just town gossip... nothing really..." "Uh-huh.", you know this thing is going right down the same secluded country road you've been on before. The thing that was interesting though, was the sense I got that had this been a family drama, maybe a notch above the Lifetime variety, but with all the demon/horror crap taken out of it, you'd have something of a really high quality. Costner and Baquero have a great chemistry, and it would've been nicer to see them work through normal real life conflicts. For instance, there's a scene where Costner is typing terms like "crazy teen daughter" and "horrible parent" into a search engine, desperate for help in dealing with Baquero. It would've been funny and endearing if we didn't already know his daughter is possessed by a demon, if it was just a single dad trying to be the best parent he can yet totally lost at sea. But this was intended to be a horror film, not a family drama, and on that score, it was pretty pedestrian.

All right Mr. Costner, we have your rap sheet in front of us. Won two Oscars, though neither for acting; known for some of the biggest films of the last 25 years or so-- and some of the biggest busts; at one point was pulling in $15 million a picture. As recently as a year before this, he was the lead in Swing Vote, and though that came in $5 million short of making it's budget back, it did pretty good for a movie about one guy deciding the Presidential election, the kind of thing that shouldn't have made it past the screenwriter's computer, let alone have a $20 million-plus film production made from it. Anyway, I guess what I'm saying is, why on Earth would he have chosen this project? Was he so appalled by Swing Vote that he needed something, anything, with some blood in it? I'm telling you, he would've knocked that family drama I described above out of the park. I'm glad after this he went to the ensemble indie flick The Company Men. Great Mass accent. Hopefully he'll do more of those and less of these.

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Here's a message to all horror directors out there: stay away from the Psycho shower scene. I don't care if you're just paying homage to it by showing us a drain like we got here, leave it alone. In hockey there's an unwritten rule: people don't wear the number 99. Gretzky wore 99, he was the greatest of all time, so everyone else leaves it alone out of respect for what he did for the game. The same thing should be done with copping any element of the Psycho shower scene in horror films. Just lay off it, you're not doing yourself any favors.

We had a solid supporting cast in this one, including Ivana Baquero, whom I mentioned above. It was actually too bad she had to go through the whole being possessed thing, because she would've made a great, nuanced teen daughter in the family drama. In the scenes when she wasn't possessed early on, she and Costner played off each other great. We also had Samantha Mathis as a teacher at the local school who befriends Costner. She would've also been great as Costner's new love interest as he finally moves on after his wife dumped him, had they gone with the family drama. Then there was the woefully underused Noah Taylor as the professor that was an expert in burial mounds. Seriously, his character was an after thought, he did nothing to contribute, which is a waste of Taylor. Finally, Erik Palladino has a few scenes as the local sheriff. Gotta love Erik Palladino. I remember in the late 90s when he had long hair and worked as a VJ for MTV, holding it down at the Beach House-- does MTV still do the summer Beach House? Probably not, considering they don't show videos anymore.

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It's strictly by coincidence that I'm doing a Kevin Costner flick in this the week after Whitney Houston passed away, but I figured I'd be remiss if I didn't devote a paragraph to her. Costner and her will always be linked for The Bodyguard, which might have been a cheesefest, but it was a cheesefest that grossed over $400 million worldwide, and her song "I Will Always Love You" went platinum four times and spent over a year at number one on the Hot 100 list. I don't think anyone could've thought in 1992 that just twenty years later it would take Houston's tragic and sudden death to bring back to the forefront how immensely successful and how uniquely talented a singer she was. It's a testament to how the entertainment industry works: when you make them money they love you, but the moment you're not, they cut you adrift with the quickness, and no one has anything nice to say about you until you're dead.

On that happy note, let's wrap this bad boy up. This one did nothing for me except instill in me the belief that this entire cast should be brought back to make a family drama, not quite Ozu level, but a notch above Lifetime quality. As a horror film, I've seen this before, and didn't need to see it again.

For more info: http://www.imdb.com/title/tt0951335/