The Direct to Video Connoisseur

I'm a huge fan of action, horror, sci-fi, and comedy, especially of the Direct to Video variety. In this blog I review some of my favorites and not so favorites, and encourage people to comment and add to the discussion. For announcements and updates, don't forget to Follow us on Bluesky and Like our Facebook page. If you're the director, producer, distributor, etc. of a low-budget feature length film and you'd like to send me a copy to review, you can contact me at dtvconnoisseur[at]yahoo.com. I'd love to check out what you got. And check out my newest book, Mark in Sales, over on Amazon.
Showing posts with label Peter Coyote. Show all posts
Showing posts with label Peter Coyote. Show all posts

Monday, October 12, 2009

Behind Enemy Lines II: Axis of Evil (2006)

With the third Behind Enemy Lines movie released recently, I realized I needed to get off my ass and review part two first. I guess I just never thought they'd make a part three... I was surprised a part one came out. I generally don't like the cash grab DTV flick, unless it's something like the Scorpion King 2, where it had Randy Couture and was directed by Russel Mulcahy. Of course, by that rationale, I should be doing Road House 2, because that has Richard Norton and Jake Busey. No dice on that one. I'll never review Road House 2 as long as I live.

Behind Enemy Lines II takes place in North Korea, and is about a SEAL team sent in to take out a nuclear missile that could potentially hit the US. Things go wrong, though, when an abort command is sent from the President while two of the SEALs have already parachuted in. Two more go in after them, and we have a problem. All the while, we're treated to exciting scenes of cabinet meetings by bad actors pretending to be politicians. The lack of suspense was killing me.



First let me say, this wasn't what I expected from the title. Axis of Evil led me to believe this would be a Conservative rah rah the US rules and everyone else drools kind of thing. It certainly wasn't that, and in fact, on the political score was much more ambiguous and kept things gray. Funny that it could be nuanced politically, but so sack-of-asscracky filmwise. It started with the superfluous history lesson on North Korea (which the film continually referred to as the DPRK in a very pat-ourselves-on-the-back kind of way, even though no one with any kind of policy experience calls it that), and only got worse as the action became even more sparse. They could've called it Behind Enemy Buttcheeks and had it be about a bunch of Navy SEALs farting on and getting farted on by North Korean soldiers, and it would've been more compelling.

The reality is: who gives a shit about a fake President and fake Secretaries of Defense and State debating a course of action regarding a nuclear device in North Korea? This is a fucking action movie, for Christ's sake, and I'm sorry, but Peter Coyote and the guy who played Dalton on MacGyver are not the kind of actors that can pull off making high stakes behind the scenes negotiations dramatic. And when there's little to no action on the ground with the SEALs, those negotiations go from being tedious to annoying. Peter Coyote is not Christopher Walken. We don't find him compelling when he's on the screen.



I got the sense that the people making this movie were trying so hard to not remake Rambo or Commando. Why? Why would you do that? Remake Commando. Please! It would be way more fun that what you gave us. It would make the overly sappy scenes of guys remembering their training and seeing their comrades fall funny instead of stupid. Cut down the amount of Oval Office talk, and give us more blowing shit up. You already knew you had a bad movie with the silly history lesson at the beginning, and the titles on screen introducing characters instead of introducing them organically through the plot like real movies do. I don't remember, did Seventh Seal pause the film and put the word "Death" on the screen so we'd know who was playing chess against Antonius Block? Exactly. You're making a DTV sequel of Behind Enemy Lines. Talk less and blow more shit up.

I always get on National Treasure when I talk about movies I couldn't stand, and one thing about it I hated was how smart it thought it was, especially when they discussed daylight savings time. The idea was that because there was no daylight savings time when Ben Franklin was alive, they weren't late getting to the next brick they needed to break open because the clock on the $100 was an hour behind. They thought they were so smart, except they didn't consider that standard time didn't exist then either. This movie had the same issue, where they thought they were so smart by saying things like "DPRK" or giving us a history lesson, but if you look at IMDb, you can see the list of mistakes, in some cases rather big ones, that they made. The one I picked up was the use of "Sea of Japan" and "Yellow Sea" by the S. Korean ambassador, because he would've said "East Sea" and "West Sea." Not a big deal if you're making a movie focused on fighting and blowing shit up; but if you pat yourself on the back for your history lesson and factual accuracy, that kind of mistake makes you look stupid (which I guess you are).



Am I being too hard on this movie? Maybe. In one scene, a guy gets a nail driven through his hand. Hmm... I could say that was a metaphor for the whole film, because it was as painful to watch as a nail through the hand... but that would be too easy. Besides, it had Keith David, the holy man from Chronicles of Riddick, and the voice from the Marines commercials. He was barely in it, but he was good. What I think shows a lack of creativity in a movie like this, was how he wasn't cast as the President. Gotta make him a drill sergeant type, and Coyote the President. Pedestrian. It is probably time I tagged David, though, because I believe this is the third film of his we've done, maybe fourth.

You don't need to see this. I just saw Behind Enemy Lines III, and there was nothing in two that you needed to get three. The only thing I can say is if you're curious to find out what it feels like to have a nail hammered through your hand, you may want to rent this. Otherwise you'll be snoozing.

For more info: http://www.imdb.com/title/tt0497329/

Looking for more action? Check out my short action novel, Bainbridge, and all my other novels, over at my author's page! Click on the image below, go to https://www.matthewpoirierauthor.com/

Thursday, January 15, 2009

Terminal Justice aka Cybertech PD (1995)

Photobucket

I really don't know where I first came across this. I was probably drunk and fooling around on Netflix, and added it to my queue because the cover had Lorenzo Lamas, then was shocked when it showed up on my doorstep, wondering when in the hell I could've put that one in. Then it was like "well, since I have it, I might as well watch it."

Terminal Justice aka Cybertech PD has Lorenzo Lamas rocking blue contacts in the year 2008. If that doesn't sound ridiculous enough, this so-called future we just lived through last year has virtual reality sex as it's big thing. Sorry Wii, you just weren't cool enough. Anyway, this one chick is a great virtual reality sex star, and Chris Sarandon wants her blood so he can clone her. The only thing better than Virtual reality sex, is sex with a clone. Lamas isn't a fan of Sarandon anyway, and when he and this sex star fall in love, he's all about protecting her and bringing him down.

Photobucket

Wow. Why? How long was it? Really, not three hours? This movie was hardcore. I knew it when I saw Lamas' eyes. Why would you do that? He looks like a moron with blue contacts. And did the people who made it stop to consider for one second what 1982 was like compared to 1995? Yeah, there were some great advancements in technology, but enough to make them think that from 1995 to 2008 we'd invent something that acts like the holodeck on Star Trek? Or that our entertainment industry would change so drastically that it would fail to resemble the one that existed before? If this had been silly enough, I would've ignored all that, but I just couldn't get past Lamas' eyes.

And with that, this film also surpasses Succubus: Hell Bent as Lamas' worst. In that one, he was barely in the film for more than five minutes, which was why I rank it so poorly. This one he was in plenty, but he was never really in it with those blue contacts. The idea was supposed to be he had his eyes removed by some baddies in the Russian Cartel Wars (they never show that, which is good), and they're replaced by cybernetic ones that act like cameras and can see things in infrared and whatnot. Again, technology we picked up from 1995 to 2008. Right. What a waste of Lamas this was. His only great moment came when he had flashbacks to his time in the war, where he'd freak out on this drug called Hellraiser. That was hilarious.

Photobucket

It is a weird thing to be 8 years beyond the year 2000, considering before it there was this idea that the world was going to be so different after it. It was like the difference between 1999 and 2000 was a hundred years. Okay, so maybe most of us didn't really think that, and were much more pragmatic, but plenty of sci-fi film makers did. It looks so ridiculous now. I mean, I'm not expecting them to have predicted the iPod, but a little more creativity beyond simply Virtual Reality sex isn't too much to ask. I also don't understand why they put these false constraints on themselves with futures that aren't that far in the future. Bump it up thirty years, and it'll be at least a little more believable.

I couldn't decide whether to devote this paragraph to Kari Wuher or Peter Coyote, both DTV movie veterans that both star in this film. I took a different route, choosing to talk instead about Tod Thaley, who plays Lamas' partner after his first one dies. This guy wasn't too bad of an actor, and from what I could tell, he usually plays Native Americans, while in this movie he played an Japanese American. Of course, when I say not too bad of an actor, remember that it's in the context of a mid-90s Lorenzo Lamas sci-fi actioner.

Photobucket

Finally, I cannot in good conscience discuss this film without mentioning the hilarious remote control helicopter with a gun that chased Lamas because it was trained to track his pheromones. How this scene wasn't cut the moment after it was shot is beyond me. It was so ridiculous. This was almost as funny as Freddy's hand running around in Wes Craven's A New Nightmare. And then Lamas sprays himself in Lysol to mask his scent. Good thinking. He's a resourceful hero. Too bad he didn't have a more resourceful agent, huh?

Stay as far away as you can from this. I mean it. It hurt. It's got Lamas in it. So what? He's got blue eyes which make him look silly. After that this sack-of-asscrack has nothing going for it. If you need a Lamas fix, rent Renegade on DVD.

For more info: http://www.imdb.com/title/tt0114648/

Saturday, May 12, 2007

Top of the World (1997)

I don't remember how I first got wind of this gem. It could've been in an IMDb search of Peter Weller. A buddy may have told me. It could've been the Tia Carrere factor. I'm just not sure. What I am sure of is I'm glad I went onto Amazon and snatched this classic up.

Top of the World is a Die Hard ripoff that takes place in a casino and has Peter Weller as the hero. Dennis Hopper owns the casino, with Joe Pantoliano as his right hand man, and Peter Coyote as the mob boss who funds him. Then there's Tia Carrere who plays Weller's ex-wife (Weller was framed and put in jail when he ratted out crooked cops), yet she's dating Hopper. Then Martin Kove and some bad guys come in and take the place over to rob it. That means Cary Tagawa and his swat team storm in to take them. But Hopper won't let them, because he's in on the cash grab. Oh yeah, and David Allen Grier is already at the casino as a cop investigating a suicide, and he's the only one who believes Weller's innocent. Oh, I forgot to mention everyone thinks Weller's in on the robbery.


The star power alone makes this film so memorable. I couldn't believe it when I saw it. How can you go wrong? Who cares if it's Die Hard in a casino? Weller as the top star was perfect. In one scene he's driving around the casino with Carrere in his car. In another, he's riding on the top of an armored van or something. It's vintage Weller.

Hopper is sweet as the casino owner. He and Joey Pants play off each other well. I can't think of a better baddie for a movie like this. He's much better here than in that Costner sack of asscrack Waterworld. I can't for the life of me understand how a Waterworld is greenlighted as a full run picture put in thousands of theaters, and a gem like this can't get a sniff of that kind of run. It's just ridiculous.


It was weird having a Cary Tagawa that wasn't exactly an antagonist. He played this kind of dumb-as-a-fox SWAT team leader that everyone thought they were better than, but who had a firm grasp of the situation. I'd like to see him and Weller work more together, maybe with Dolph thrown in. He also got to work with Tia Carrere again (Showdown in Little Tokyo), only this time he didn't chop any of her friends' heads off.

This film is just pure good old fashion bad action, and it's unabashed in the way it's carried out. As a fan of bad action, I hold a picture like this in the utmost regard. They just don't make 'em like this anymore. 


You should be able to find this in the $5 bin at a place like BestBuy. It's so worth it, you don't even know. I'd skip renting it, in fact, and go straight to owning it, because you'll want to rent it again anyway, and you'll just end up wasting the rental money.

For more info: http://www.imdb.com/title/tt0120353/

Looking for more action? Check out my short action novel, Bainbridge, and all my other novels, over at my author's page! Click on the image below, go to https://www.matthewpoirierauthor.com/