The Direct to Video Connoisseur

I'm a huge fan of action, horror, sci-fi, and comedy, especially of the Direct to Video variety. In this blog I review some of my favorites and not so favorites, and encourage people to comment and add to the discussion. For announcements and updates, don't forget to Follow us on Bluesky and Like our Facebook page. If you're the director, producer, distributor, etc. of a low-budget feature length film and you'd like to send me a copy to review, you can contact me at dtvconnoisseur[at]yahoo.com. I'd love to check out what you got. And check out my newest book, Mark in Sales, over on Amazon.
Showing posts with label Delroy Lindo. Show all posts
Showing posts with label Delroy Lindo. Show all posts

Monday, October 6, 2014

The Blood of Heroes aka The Salute of the Jugger (1989)

Back in June Moe at Drunk on VHS came to me to see if I would be back on his show to discuss this film. After the great time I had with him and Jon from The After Movie Diner discussing Hard to Die, I was excited at the opportunity to do another pod. Of course, the episode devolved into Moe, Jon, and I discussing sub-Reddits about people dry humping bags of dog food. Also, it was after this episode that Moe and Jon decided to create their own night of live podcast programming on Wednesday nights, and they asked me if I'd like to do my own show on their night, which is what led to the creation of the DTVC Podcast with Jamie and me. Finally, this film was also covered by our friend Mitch at The Video Vacuum in his Rutger Hauer-Palooza.

The Blood of Heroes takes place in a brutal, post-apocalyptic future. In it, a game known simply as "The Game," played by "Juggers," is all the rage. It's a macabre spectacle in which a dog's skull is the ball, and the goal is to post the skull on the other team's stake--the catch being that there are no rules governing how you stop the other team from winning. DTVC Hall of Famer Rutger Hauer plays a disgraced former star who leads a barnstorming team from watering hole to watering hole to play for money. When spunky newcomer Joan Chen pushes the team to go to one of the big cities to challenge a pro team, at first he disagrees, but then they all decide to go for it. Will Rocky be able to prevail against all odds? Will the spunky Bad News Bears get it done?


I don't know what to think about this movie. It's not the worst thing ever, but overall it is still a Rocky or Bad News Bears paradigm with the only differences being that it takes place in the future and it's brutal. Rutger Hauer is as great as ever, and the rest of the cast was great too, including Delroy Lindo, Vincent D'Onofrio, and the aforementioned Chen, plus Richard Norton in a small cameo at the end. I guess, for my money, if I'm watching a post-apocalyptic cheesefest, give me Mr. Norton in a leather vest with no shirt and big gun driving an '84 Caprice Classic with no windows and spikes affixed to the front, blowing the shit up out of everything. But that's just me.

Rutger Hauer is pretty great in this, but when is he not? And this is no bait-and-switch, this is Hauer in his 80s prime doing is Hauer best. One area where this film differs from the classic Rocky or Bad News Bears paradigm is that we have a character like Hauer who was once one of the best, and only had to stop due to a falling-out with one of the higher ups in the city. That gives the Bad News Bears aspect of the team a level of quality that makes them less rag-tag, but it only works if Hauer sells it with his natural charisma and awesomeness, and he does that in spades


As I mentioned above, DTVC Hall of Famer Richard Norton also appeared in this at the very end. He's an Aussie, and this was an Aussie production, so it makes sense, but I felt like he was there reminding me of what a post-apocalyptic cheesefest was really supposed to be like. Okay, maybe this film was trying to do something new with it, and I applaud them for that, but to what extent is it really new if the end is the same, and a lot of how we get there is the same? Maybe it was bloodier and more macabre, but it's still The Bad News Bears. Seeing Norton, I rued the fact that we weren't driving old cars with black paint jobs and spikes and bars attached to it, that we weren't seeing big guns and exploding huts, that we weren't seeing Norton and Hauer kicking massive amounts of post-apocalyptic ass. I guess we could also say that this idea of brutal futuristic sports was not entirely new either, considering we had films like Rollerball and Death Race 2000 that also banged home this idea, so who knows.

According to Wikipedia, "The Game" is actually played in real life, known as "Jugger," and they don't use a real dog skull, and I'm assuming it's also not as bloody or dangerous. I guess based on the movie it originated simultaneously in both Germany and Australia, and they have international tournaments for it and whatnot. Here in the States I see it becoming more hipster than Ultimate Frisbee and kickball, as thin, bearded, not-quite-athletes talk about how they play Jugger, and how they stopped playing Ultimate or kickball because everyone was playing those sports. Lots of craft beer and food carts at the games too.


As I mentioned above, this had a pretty robust cast. Joan Chen was Hauer's costar, and if it weren't for the fact that he's a Hall of Famer, the first paragraph after the synopsis could have just as easily gone to her. For the kids who love Twin Peaks, she's great, so you'll love that. She's small enough yet driven enough that her character works as the newcomer Hauer believes makes the team good enough to challenge the pros. And then there's Vincent D'onofrio as the kid who joined the team just before Chen. This is the third film of his we've done here, the first being the fantastic Kill the Irishman, the second the lackluster Fire with Fire. Then we had the great Delroy Lindo, who my wife and I loved in Crooklyn. He's as great here, even with a smaller role. Finally, I should have mentioned this earlier, this film was written and directed by David Webb Peoples, who wrote Blade Runner, Unforgiven, and 12 Monkeys.

So ultimately I'm not saying this movie is a pass, just that it didn't work for me. No matter how you package it, it still seems like The Bad New Bears, only bloodier. As far as purchasing it, used VHS or DVD is the way to go. I want to thank Moe again for having me on Drunk on VHS with him and Jon. If you want to check out that podcast episode, go to the After Movie Diner (link in sidebar) and look for the Drunk on VHS archive.

For more info: http://www.imdb.com/title/tt0094764/

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Tuesday, February 28, 2012

The Big Bang (2011)

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If you hadn't already heard, Stars Play chose not to renew their agreement with Netflix to stream their films on Watch Instantly, meaning on February 29, 2012, hundreds of movies got the ax. That left me with a mad scramble to watch and capture images for no less than 11 flicks that I didn't want to miss out on so I could review them here at the DTVC. This is the first of those. I'm going to tag them with "Stars Play 11", to give them a unique distinction in the archives. So without further ado, The Big Bang.

The Big Bang stars Antonio Banderas as a PI in Vegas, called in to find a stripper for a former Russian boxer that just got out of jail. As he peels back the layers, though, things aren't what they seem-- when are they ever?--, and he finds he may have bitten off more than he can chew. But for a real hard boiled private dick, there's no case too tough to crack-- and end up with the dame in the process.

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This was pretty fun. Don't get me wrong, it had a flashback exposition style that was tedious and intrusive at first, but got better as it went; and it suffered from those moments of self-indulgence that seem to plague so many Film Noir efforts made after the mid-90s. Overall though, the pros outweighed the cons. The cast was pretty good; the story, when it was allowed to be told without breaks, worked; Banderas was perfect as the lead; and it had this unique inclusion of physics references mixed in. I also really liked the use of color, some of the shots were really striking. Definitely worth checking out.

Most of my Antonio Banderas experience comes in his Pedro Almodovar flicks, which are all fantastic, and which he's is great in all of. He was much younger in those of course (except the recent The Skin I Live In), and the roles are much more off-beat than what he did here in the States, where he was much more of a traditional leading man. What I liked about his performance in The Big Bang, was that he was able to marry both aspects, the off-beat with the more conventional, to give us a great hard boiled Noir detective in a film like this that's a little out there. Without his performance, I don't think any of this works.

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There are a whole host of other stars in The Big Bang. Snoop Dogg plays a porn director, which, is what it is-- one of those moments of self-indulgence I'd say, I mean, I don't see how him playing a porn director is any different from him performing on a Katy Perry track or appearing in a soft drink commercial. Two of my favorite That Guys, Delroy Lindo and William Fichtner, play police detectives putting the squeeze on Banderas. How do you not love those guys? Our Noir dames are Sienna Guillory and Autumn Reeser, both sufficiently hot and mysterious. Jimmi Simpson plays a young physicist prodigy working for Sam Elliott-- who we'll get into next. Finally, James Van Der Beek plays a crazy actor in a small part at the beginning. Cue the I don't wanna wait...

I don't know about you, but I've had it with this sententious, sanctimonious Sam Elliott voice-over work in bad commercials that we're constantly subjected to. It wasn't so bad with "Beef, it's what's for dinner", but now it's as if the shite he's peddling is somehow superior just because he says it's so; that instead of being a corporate shill, he's waxing poetic about some mythical blue collar way of life that's just dripping hypocrisy considering the big business source. Anyway, it was good that his character in this was totally full of shit. It was as if the character was based on the real him-- here's this pompous ass spouting off this "better than thou" BS, and in the end is revealed for who he is. Whatever happened to the legendary bouncer mentor from Road House? Maybe when "it was tails", it killed more than just his character, it killed his tact too.

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I took physics as an undergrad when I started out as an electrical engineering major. The final didn't have partial credit, and as a freshman, I was living off of partial credit, so that sunk me, and I ended up with a D+, my only grade that poor out of my entire college career. It also meant when I switched majors, I was the only anthropology major with Calc-based physics as his science gen-ed. Anyway, I guess what I'm saying is, physics isn't an entirely foreign subject to me, but not one I'm totally comfortable with. I was able to get a lot of the references though, like "Schrodinger's" painted on the side of the movie studio building, or the cafe named "Planck's Constant". As long as you're not making me write out page-long equations to find one value with no partial credit, I'm good.

I imagine this is pretty readily available on DVD, and I think it's worth checking out. Anchored by a fantastic Antonio Banderas performance, with an off-beat story, a nice supporting cast, and some sharp visuals, this is better than your usual DTV Noir. Plus you get the physics without being graded on it, which ain't bad either.

For more info: http://www.imdb.com/title/tt1307873/