The Direct to Video Connoisseur

I'm a huge fan of action, horror, sci-fi, and comedy, especially of the Direct to Video variety. In this blog I review some of my favorites and not so favorites, and encourage people to comment and add to the discussion. If you click on an image, it will take you to that post's image page, which includes many more pics from the film and other goodies I couldn't fit in the actual review. For announcements and updates, don't forget to Follow us on Twitter and Like our Facebook page. If you're the director, producer, distributor, etc. of a low-budget feature length film and you'd like to send me a copy to review, you can contact me at dtvconnoisseur[at] I'd love to check out what you got.



Hi everyone, it's been a while since I checked the page, and I wanted to make a few announcements.

First and foremost, it appears a dubious site has claimed the old url, meaning any link in any review that goes to the old mattmovieguy url is corrupt. I'm in the process of trying to remove them all, but it's a lot! It's best not to click on any link without hovering over it first to make sure it doesn't have mattmovieguy in the url.

Second, it appears since my last trip to the blog, Photobucket has decided to charge for third party hosting, meaning none of my images are appearing anymore. That's simply an aesthetic issue, but still annoying.

Thank you all for your patience, and again, hopefully this will all be fixed soon.


Thursday, May 29, 2008

Point Doom (2001)


I first heard of this film when I saw a trailer for it at the beginning of the Don "The Dragon" Wilson film Whatever it Takes. Both films were produced by David DeFalco. In the trailer I saw Richard Greico, Ice-T, and Andrew Dice Clay, and figured it was worth throwing on my Netflix queue. Maybe I'm just subconsciously a glutton for punishment.

Point Doom is about an LA talent agent played by Richard Greico. He's looking for a nice girl to settle down with and thinks he found her at his friend Andrew Dice Clay's strip club in the person of waitress Jennifer O'Dell. The only thing is she's involved with a biker dude (played by the guy who gets his brains blown out by Dolph in Missionary Man) who's very possessive, addicted to drugs, and into it bad after he double-crosses and kills a bunch of fellow bikers for a shit ton of coke. Now Greico's caught up in this tangled web of crap. Is he in over his head? Probably, but not in the world of movies.


This was a pretty bad film. Maybe not even pretty bad, it was atrocious. But it's got so many famous people in it it's hard to write it off immediately. Between Greico, Ice-T, O'Dell, and The Dice Man, it's all right. Then you throw in Angie Everhart in a weird role as a woman with epilepsy, Sebastian Bach as a biker, the guy from Gremlins and Gremlins 2 also as a biker, and then the guy who gets his brains blown out by Dolph in Missionary Man, and just on star power alone you can almost transcend everything else's atrociousness. Maybe that was producer David DeFalco's plan. The reality is you can't polish a turd.

Greico was Greico. I think he was better here than in the depraved Final Payback. It's always hard for me to fully place Greico, because the name evokes memories of his 80s glory, yet films like these remind just how far he's dropped. I guess everyone's gotta eat, but I get the sense that in each of these poorly made DTV stinkers he doesn't quite feel right: like he's playing back the 80s in his mind and wondering how he fell so far. This wasn't the way his career was supposed to go, and he can only hope another Tarentino will resurrect his career the way Travolta's was in Pulp Fiction. John, not Sam.


Ice-T's popping up rather frequently here at the DTVC. This will be the sixth film reviewed that he was in, making him tied for second with Norbert Weisser behind Daniel Bernhardt for the most movies of a non-Hall of Famer. Looking at the films lined up for future review, there's a good shot he can catch him soon. That begs the question: why isn't he in the DTVC Hall of Fame? The reality is it's a personal taste thing with some of the committee. He's kind of in that C. Thomas Howell area, where the resume's there, but a lot of people just don't like him. I must say he's growing on me. He was cool in the small amount he's in this film. Other than a part when he's slicing up his own hand with a knife, he was great as a drug lord looking for money from the guy from Gremlins. With a good showing in Crazy Six as well, I'm looking forward to what's next from him.

Art Camacho directed this. I see his name in a fair number of all the bad movies I watch. I decided to finally look him up and found he's directed five films I've reviewed if you include this one (also Crooked aka Soft Target, Final Payback, Gangland, and X-treme Fighter). Not only that, but in his roles as fight choreographer, producer, stunt man, and bit part actor, he's been in countless others. For the time being I'm just going to tag the films he's directed and call it good. Maybe if I have the time I'll go through the others and tag them as well. He's a pretty busy guy.


In terms of all the other stars, Angie Everhart's part made the least sense. She played O'Dell's sister. The deal was she had epilepsy, and the film treated it like a debilitating disorder where she couldn't care for herself, as if she was severely mentally handicapped. She wore these drab clothes in an attempt to make her less attractive, which, considering it was Angie Everhart, didn't work. In one freaky scene, the baddie, after attacking O'Dell, grabs Everhart, and she goes into convulsions. Eww. Then she's kidnapped by the same baddie, and her health issues suddenly play no part, probably for the convenience of the plot. She's treated pretty roughly. After she's rescued, instead of being allowed the comfort of her sister, she's taken away by the Dice Man so Greico and O'Dell can get it on. It was just weird.

I can't really see recommending this. It's got some sweet B,C, and D-list actors, but beyond that, it sucks. It's supposed to be a sexy suspense thriller, and it's really none of the three. I can't lie, I like really bad films, so I picked this up, but you've gotta be in that small percentile of people like me who take it too far and need a film like this to pull us back from the ledge. Your best bet is to stay away from it.

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