The Direct to Video Connoisseur

I'm a huge fan of action, horror, sci-fi, and comedy, especially of the Direct to Video variety. In this blog I review some of my favorites and not so favorites, and encourage people to comment and add to the discussion. For announcements and updates, don't forget to Follow us on Twitter and Like our Facebook page. If you're the director, producer, distributor, etc. of a low-budget feature length film and you'd like to send me a copy to review, you can contact me at dtvconnoisseur[at]yahoo.com. I'd love to check out what you got. And check out my book, Chad in Accounting, over on Amazon.

Saturday, August 31, 2024

Electric Boogaloo: The Wild, Untold Story of Cannon Films (2014)

This is one that I had been meaning to do on here for a while, and when I mentioned on the podcast that it was available, Sean Malloy from I Must Break This Podcast asked if he could guest on the pod to discuss it, which I thought was a great idea. It was a great conversation, and you can catch that in our archives, episode 166. In addition to us, our friend Mitch at the Video Vacuum has covered this as well.

Electric Boogaloo: The Wild, Untold Story of Cannon Films is a documentary by Mark Hartley, he of the great Not Quite Hollywood: The Wild, Untold Story of Ozploitation! and Machete Maidens Unleashed! He attacks this topic with the same love and attention, giving us the origins of Cannon through their famed production duo Golan and Globus, their rise in the market with actioners led by Charles Bronson and Chuck Norris, and then their downfall. We also get great interviews from names involved, like Albert Pyun, Dolph, Dudikoff, and Sam Firstenberg, who give us interesting insight into how these rebel producers flew too close to the sun, and ultimately fell into the sea.


This is fantastic, Sean and I were in agreement on that. The only complaint we had was we could've used more--like maybe three parts that are each the length this one was. It's one of those rare films where I don't check the slider bar to see how much is left, and when we get to the end, I'm disappointed and want more. It's great seeing and hearing from the big names, like the ones I mentioned above, but then you have people who worked for Cannon at the time, like David Del Valle--who has a great Instagram account, delvallearchives, with a lot of old Hollywood genre content and things from his collection--who gives us insight into things like how Cannon chose films when he was a script reader for them--"I had one pile for Bronson films, and one Norris films." We also get these great stories, like when Golan and Globus worked with Jean-Luc Godard for his King Lear, which is a movie I enjoyed, but hearing the issues behind it made it even better. If you love the movies we love here on the site, this documentary is for you.

This is now the 73rd tag for Dolph, his 72nd film, and his second appearance in a documentary, the other being Power of Grayskull: The Definitive History of He-Man and the Masters of the Universe, which we reviewed a few years back. It would've been nice to have more of him here, but it kind of makes sense that we don't, because he only did one film for Cannon--which was a big one for sure, but still only one. There was a sense in hearing him discuss it, that he was disappointed with how it turned out, and wasn't comfortable with the production as it was happening. He was riding high from Rocky IV, this was as big as he was going to get, and this felt like the next role to take; but it came out after the toys had fallen out of favor, and while it looked nice for a Cannon film, it was still a Cannon film made on the cheap, and ultimately it was a bust that didn't make its budget back. It starts Dolph down a path that leads to DTV-dom, which was our gain, but unfortunate for him--though he's bounced back somewhat now, getting his redemption while riding a seahorse in Aquaman.


We last saw Michael Dudikoff in 2022 with Fury of the Fist and the Golden Fleece, so it's been a bit, and probably will be a bit before we see him again. At one time he actually had more tags than Dolph, and he was one of the first that we had the complete DTV filmography of on the site, but he hasn't done much since 2002 so we don't see him as often anymore. Unlike Dolph, who only did the one Cannon film, Dudikoff has a bunch, including the American Ninja series, one of the greatest DTV action franchises ever, and that means he's in this much more. Also unlike Dolph, whose career started downward after his stint with Cannon, for Dudikoff it opened up the world of DTV action that we know him from now. And what a career it was, especially between the first American Ninja and 2002's Stranded, for me it's a top ten DTV action career, and I don't know with the state of DTV action today if anyone will bump him out of the top ten, even if he doesn't do more films. What we get here is the down-to-earth guy we thought he was, which was fun to see, and fun to hear him give us his experience. Truly one of the greats to ever do it.

Albert Pyun was great as well, talking about Cannon and Golan-Globus in general, but also some specific films he worked on with them like Cyborg and Journey to the Center of the Earth--neither great experiences for him. It was a bit melancholy knowing he's no longer with us, but also a reminder that his insights on film were fantastic and always worth hearing--and he was so generous with them in giving us backstory on some of the films we reviewed. This brings us back to the possibility of getting him into the 50 Club, as this is one more in that direction so he's now at 46 films--47 tags because he asked us to review Mean Guns a second time. There are two more films available that he's directed, Cool Air, which I can rent, and The Interrogation of Cheryl Cooper, which I've had trouble finding. Those two would get us to 48, and then he was credited as a producer on Final Examination, making 49. So close. There's also Interstellar Civil War: Shadows of the Empire, which doesn't seem to be available. If it ever were, that would do it.


Finally, with a film like this, there's a question of who to tag and who not to tag. After reviewing Randall Scandal, I made the decision that file footage of an actor in a documentary isn't enough, but if they give an interview filmed specially for the documentary, that counts. The other thing is, are they the subject of the documentary? That's why Golan-Globus are tagged, despite not being interviewed. But that's also why Chuck Norris and Charles Bronson aren't tagged. Had one of the clips of the films had a McDonald's in it, would I have tagged "McDonald's?" I don't know, but I doubt it. For genres like "Ninjas," even though this had clips from ninja films, it wasn't a ninja film per se, so it didn't get that tag. Had someone done an interview in full ninja gear, would I have tagged this "ninjas," or had someone interviewed a shark would I have tagged this "sharks?" Maybe, but I'd have to see it happen first before I could say either way.

And with that, let's wrap this up. Currently you can get this on Tubi here in the States. YouTube also has a great version if you don't get Tubi in your area. This does a great job handling a subject that's near and dear to our hearts, and worth checking out. Also worth checking out is the podcast episode we did with Sean from I Must Break This Podcast, number 166 in the archives.

For more info: https://www.imdb.com/title/tt2125501

Looking for more action? Check out my short action novel, Bainbridge, and all my other novels, over at my author's page! Click on the image below, go to https://www.matthewpoirierauthor.com/

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