The Direct to Video Connoisseur

I'm a huge fan of action, horror, sci-fi, and comedy, especially of the Direct to Video variety. In this blog I review some of my favorites and not so favorites, and encourage people to comment and add to the discussion. For announcements and updates, don't forget to Follow us on Bluesky and Like our Facebook page. If you're the director, producer, distributor, etc. of a low-budget feature length film and you'd like to send me a copy to review, you can contact me at dtvconnoisseur[at]yahoo.com. I'd love to check out what you got. And check out my newest book, Nadia and Aidan, over on Amazon.

Tuesday, May 27, 2025

A Hard Place (2025)

Filmmaker J. Horton reached out to see if we could cover his newest film, A Hard Place, and I was more than happy to oblige. Trap is one of his I really enjoyed, and his most recent film before this, Craving, came out really well, so I was excited to see how this one did. 

A Hard Place follows a group of criminals who, after a big score, need to lie low for a bit, so they find their way out to the country to wait for their contact to show up and help them get out of dodge. Unfortunately, as they're waiting, these green tree monsters show up and start eating some of them. Fortunately though, a group of locals are all too willing to help, which is nice, except, could these nice locals have ulterior motives? It's getting to where you can't trust anyone anymore! Among the criminals there's Fish (Rachel Amanda Bryant) who doesn't seem like a criminal as much as someone caught up in a bad situation, and among the locals there's Naja (Ashley Undercuffler) who may not be as untrustworthy as the others. Will they manage to survive all this when the shit hits the fan?

This was a great time. A nice mix of gothic horror and zombie/monster movies, with some offbeat dark humor that manages to work tonally with the rest of the film and doesn't feel out of place--not an easy needle to thread, but Horton and company managed to pull it off. There were a couple elements that didn't work for me though. I thought there were too many characters to keep track of, and I would've preferred if the story focused more on Bryant and Undercuffler's characters, but I think those are more personal tastes on my end, and I get why Horton decided to go in a different direction. And with all those characters, we got some great performances beyond Bryant and Undercuffler. Felissa Rose delivers exactly what you want when you see her name on the tin, and I think the same could be said of Lynn Lowry; Scott Alan Ward is great as the creepy, silent type; and Natalia Santacoloma has a small part, but came off really strong, especially for someone her age. Beyond all that, the locations add a lot of atmosphere, and the practical effects all looked great, which was refreshing to see. This is just a fun horror movie, you can load it up on a Saturday night with your friends, and also support indie creatives at the same time, it's a win-win.

Out of the J. Horton films we've reviewed, of which this is now 5, I think Trap is still my favorite, but this is up there. It's one of those movies where a lot of things get thrown at you, but in a way that made me want to see what was coming next. That's not easy to pull off, because the audience can get lost or overwhelmed, but here it manages to keep the intrigue up and the confusion down--though a little confusion is good, I think. And then out of these five films, I think Monsters in the Woods had the most comedic bent, and while A Hard Place isn't a comedy per se, it injects a lot of off-beat, comedic elements, yet still keeps the tone of the film where it needs to be, and maintains the film's stakes even with the moments of levity. The best might be the educational films on human reproduction, that are like dystopian creepy but hilarious too. It's just really great stuff.

On our Invasion Force review we talked about the term "meta," and how popular a term that is with the kids. We get a little of that here, as we have a zombie movie within this movie, starring Bai Ling, Glenn Plummer, and Sadie Katz. It has that meta element, where it sets the vibe for what the actual movie is going to be about--and speaking of being confused, early on I wasn't sure at points if I was watching the movie or the movie within a movie, which I think is one of those times where a little confusion is good, it added to the overall feel of the movie for me--but it's also a creative way for a filmmaker like Horton who may have names like Bai Ling and Glenn Plummer for only a day, to have them in the film throughout, but they don't have any impact on the story itself, allowing him to make changes as they shoot the rest of the film without worrying about whether or not he can get them back for reshoots. We've actually seen this done before, with Welcome to Willits and Dolph playing a cop on a police procedural that Bill Sage is watching while the drugs are turning on him. It just adds another layer to the film, and is more fun than the usual one-scene cameos with names like these. Before we end this paragraph, I need to mention Sadie Katz, whom we saw in Nipples and Palm Trees back in March of 2013. That was another indie screener, and she turned in a fantastic performance in that film, so it's great to see her back on the site all these years later, mixing it up with Bai Ling and Glenn Plummer.

As I said above, one area that this didn't work for me was the number of characters we had, and how those characters caused us to lose Rachel Amanda Bryant and Ashley Undercuffler's characters for portions of the film, as they were the two most compelling for me. The end of the film teases that there might have been more of a connection between them, but it wasn't fleshed out enough for me, so when that tease happens it made me feel like we missed out. I don't know what I would've cut out though to make their scenes more substantial, I think it's just one of those realities when you have a big cast, people will connect with some characters more than others.

Finally, anytime I think of the title of this film, A Hard Place, the Rolling Stones' "Rock and a Hard Place" gets stuck in my head. I remember it was off the Steel Wheels album, which I bought the tape of back in 1989 as a ten-year-old. I played the video on YouTube before I wrote this paragraph, and realized I probably hadn't heard the song since 1989, but also had heard it so much back then, that I still knew all the words, and remembered the video playing on MTV. Also, Mick Jagger was 46 when that album came out, guess how old I am as I'm writing this. And yet all these years later, and however many songs I've heard in between then and now, when I see "A Hard Place" written somewhere, or I think of the title of this film, that's the song that comes into my head--and I still mishear "put on a clown face" when Jagger sings "put on a kind face." Don't ask me what I thought Jagger would've meant by "put on a clown face," I was ten, it made sense then.

And with that, let's wrap this up. You can currently rent A Hard Place on Apple TV+ and Amazon Prime. This is worth your rental money, and you get to support indie creatives, so you get to enjoy a fun movie and do a good deed. Does it get much better than that? And thank you to Jason Horton for sending the screener for our review, I really enjoyed this.

For more info: https://www.imdb.com/title/tt10555668

And if you haven't yet, check out my newest book, Nadia and Aidan, at Amazon in paperback or Kindle!

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