Timebomb (1991)

Our second 2025 Hall of Fame inductee is the great Billy Blanks. The problem is, we've already reviewed all of his great starring films, so we had to settle for one where he had a supporting role, and it looked like this one had as much of him in it as any of them. In addition to us, Ty and Brett at Comeuppance, and Mitch at the Video Vacuum have covered this as well, so we're completing the triangle.

Timebomb has Michael Biehn as an unassuming watch repairman, who one day meets psychiatrist Patsy Kensit. They fall in love, have children, and live happily ever after. Or Biehn is a former special forces guy with no memory of it who rescues a woman and her baby from a burning building, which lands him on TV, where he's spotted by his former colonel, Richard Jordan. Jordan and his crew, which includes Billy Blanks and Tracy Scoggins, were planning to assassinate a guy who's tapped to be the next AG, but their bosses think a detour is necessary to take Biehn out. Will it end up being a mistake?

This ain't half bad. It drags at points, but the cast is great, and I think it helps those draggy moments. Early on we get a scene where Blanks's characters tries to kill Biehn while Biehn is sleeping, and the battle that ensues is pretty brutal. And while nothing after that is quite that brutal, the action does tend to lean toward brutality versus over-the-top (Stallone style). One scene that had a lot of promise was a porn theater shootout, but it never quite gets there. The problem with a story like this is we know who Biehn is before Biehn does, and so delaying the process of him finding out feels like they're delaying for the sake of delaying in order to stretch the runtime, and that trick never works. The moment Biehn starts speaking Hungarian should've been in the first fifteen minutes, and then we just let it rip from there. The other interesting element is how the baddies, had they just left Biehn alone, would've kept being baddies and could've carried out their baddie schemes in perpetuity. It's a fascinating concept, usually baddies stick to the plan and the hero is the one who mucks it up, but they did their own mucking themselves. For an early 90s actioner with a lot of names, this does what you need, and I think that's enough if you're looking for something on Tubi to watch.

We'll start with the man of the hour, the great Billy Blanks. As one of the gang he isn't in this as much as you'd like, but he's pretty great in the moments we see him, especially in that scene I mentioned above. And he took that ability to his starring roles and made those fantastic as well, whether he was teaming up with Roddy Piper or Bolo Yeung, or he was a baddie trying to kill Loren Avedon, Blanks brought it every time we saw him. It goes without saying that we wish we had more stuff from him, especially in the 90s when he was really cooking, and we can speculate on why he decided to transition from DTV action to creating Tae-Bo, but at least we got the gems we did. He was a big part of why the late 80s/early 90s were the Golden Age of DTV action, and is long overdue for his spot in the Hall of Fame, so we're finally making it happen.

Michael Biehn is an interesting one on the DTVC. This is only his third film, which, considering his name and the volume of DTV flicks he'd one--not to mention classics that may have ended up as a Wild Card post when I used to do those--seems small, but when I looked at his IMDb bio, he doesn't have a lot of DTV action to his credit, and for better or worse, that's the lane this site ended up moving into. The other thing I think is the emergence of Casper Van Dien took some of his potential DTV roles, as Van Dien is younger and better looking. Like if I'm making Shark Attack, in 1990 I'd probably be trying to get Biehn, but by 2000 I'm contacting Van Dien's agent first. This movie was a reminder though of how much fun he is, and I don't know that this works as well as it did if they'd cast Jean-Claude Van Damme or Chuck Norris--the two names the IMDb trivia said the studio wanted director Avi Nesher to cast. That means the movie wasn't as successful financially as it would've been--especially with Van Damme--but was more successful as an actual film, which I think still counts for something.

We'll zip through all the other names in this. Biehn's costar was Patsy Kensit, who we've seen here before in Renegades. She was like in her early 20s in this, but playing a psychologist, meaning she somehow earned her PhD in the time it takes most people to only finish their undergrad. Then we had Tracy Scoggins, who's been on the site four other times, the most recent being Alien Intruder. With her character, the movie wasn't sure if it wanted to take advantage of her looks and have her in short skirts and heels, or have her be one of the cold-blooded killers in the gang, so we were left with some tough scenes for her and the stunt crew where she had to fight Biehn in said short skirt and heels, which made the whole thing look awkward. Modern DTV has faux leather leggings that they can use to split that difference, but I think even back then they had things they could've done to mitigate that situation so we didn't get the awkwardness we did. The main baddie was played by Richard Jordan, someone we've never seen here before, and probably never will again, so it was great this one time to be able to do it. He was exactly the kind of smarmy higher-up military guy a movie like this needed. Finally, Robert Culp makes his third appearance on the site. He was every bit the fantastic Culp you'd want, the only problem was, he had such a small role, it was kind of a waste. I guess we should be happy for any Culp we get.

Finally, we have another Presidential Portrait! It's another Bush 41, which we've seen plenty on here, but it's great to see just the same. I was hoping, with the Vietnam War flashbacks, that we might get our first Nixon, but no dice. So if you're counting, we have all the presidents from Reagan through Obama, and because this is a relatively new thing I've been doing, we've been finding some in movies I've already reviewed too. I'm beginning to see too how it's kind of like what Will at Exploding Helicopter goes through, where a scene has all the makings of an exploding helicopter, but then it doesn't happen. Anytime I see a governmental office of some sort, I have my eyes peeled for the possible portrait--and this movie had a lot of fake outs where I thought for sure I'd see one but I didn't. It was almost out of nowhere when we did get it, above some desk by the wall that we see as Blanks enters the secret planning room Culp and Jordan were in. But it was good that we got it, and gave us a second Blanks screen on his Hall of Fame post. Makes me wonder though if I've missed any while looking up IMDb on my phone during the lulls in a film I'm watching...

And with that, let's wrap this up. You can currently stream this on Tubi here in the States. It's fun watch, but also a bit brutal, so make sure the people you're watching it with are okay with that. And congratulations to Billy Blanks on his Hall of Fame induction. Here's to you Mr. Blanks, you're truly one of the greats, and this is well deserved.

For more info: https://www.imdb.com/title/tt0105597

And if you haven't yet, check out my newest book, Nadia and Aidan, at Amazon in paperback or Kindle!

Alien Intruder (1993)

This is one of those ones I thought I'd done earlier on on the site, but didn't, and then for some reason it ended up getting pushed down the list, for almost 18 years it seems. Strange, considering this is the first PM flick I remember watching, so it has some significance. In addition to us, our friend Chris the Brain at Bulletproof Action has covered this as well.

Alien Intruder takes place two years ago in 2022, where a Commander Striker (William December Williams) gathers a Dirty-Dozen-style team of four convicts (Dirty Quartet?) to investigate a space freighter that went incommunicado. We know what happened, because in the opening scene, a crazed Jeff Conaway killed everyone at the behest of Tracy Scoggins, before turning the gun on himself (it was like the Rolling Stones song, "it's just a Conaway, it's just a Conaway"). After the guys do some virtual R&R, they start to notice Scoggins appearing in their fantasies, and then eventually appearing in their realities! Does Mr. December Williams hold the key to what's going on? And will our rag-tag group of heroes figure it out in time to stop Scoggins?

This one starts a little slowly, but it's the kind of slowly that in the mid-90s when I first saw this would be boring, but in 2025 is a fun nostalgia trip--even if it was only three years ago! In one scene, Maxwell Caulfield and the other guys are playing cards and busting each other's chops, and in that spirit Caulfield calls one of them a "brick shithouse," which is Generation Jones speak for "ya big lug." You can just imagine on college campuses in the early 80s people calling each other "brick shithouse," and even if they didn't, it's fun to imagine, right? Scoggins is great too as the alien temptress. The VR fantasies are like music videos with their themes and settings, and she's pretending to be the "video girl," only with a diabolical twist. And then they have a PM twist too, because PM uses the VR fantasies to inject action into the film, including a massive explosion at a gas station that sends a stunt guy flying off in the background--if only they did that in Michael Bolton's "Missing You Now" video! Top it off with the great Billy Dee Williams, and you have yourself a fun PM sci-fi actioner.

Speaking of Michael Bolton, the last time we saw Billy Dee Williams on here was in February of 2012, with Gary Busey in the submarine flick Steel Sharks--do you remember that Michael Bolton song, "Steel sharks, wrapped all around me..."? Maybe not. Anyway, the only reason my friends and I rented this back in the mid-90s was because it had Billy Dee. I didn't know anything about PM Entertainment, but in that period between Return of the Jedi and Phantom Menace, Star Wars fans needed anything they could get, and Billy Dee Williams in a low-budget DTV sci-fi flick seemed like a good bet--not to mention as high schoolers we were also Colt .45 fans, if you knew someone who was over 21, you could give them $5 and they could get you a 40 and keep the change to buy themselves some cigarettes. What a simpler time. You don't get a lot of Williams in this, but PM does a good job of sprinkling him throughout so you never go too long without him, which is a nice thing. Here's to you Mr. Williams, you're truly one of the best.

This is now 46 PM flicks on the site, but as I mentioned above, this is the earliest one I remember watching. Also as I mentioned above, I didn't know it as a PM flick--we didn't know what that really was back then, it was just another logo we saw a lot--we only rented it for Billy Dee Williams. If you look at the release date, 1993, we would've rented this around the time it came out, but back then the mom and pop we rented from, People's Video, didn't gouge on new releases like Blockbuster and the other big chains did, so it was the same $2 as the older movies. When Alex, the guy who owned the video store, was picking it out of the catalog, he was probably thinking Star Wars fans like us would grab it because it had Billy Dee Williams on the cover, and at least for us he was right. I couldn't have imagined 30 years later there'd be this thing called blogging, and that I'd be almost 18 years in on a site of my own reviewing it, let alone watching it again on a "streaming" site called Amazon Prime--forget the fact that Donald Trump is not only our president, but he's on his second term. PM had a better vision of what the 2020s would be in 1993, we just weren't worthy of it.

Speaking of the future, we usually talk about flying cars as the thing that didn't end up happening, but the one we usually miss is laser guns, which were prevalent in this film. How did no one pick that up? Especially here in the States, we love shooting people, a laser gun seems like a natural invention. I guess because guns are so easy to get and shoot up schools with, people were probably like "why would you want a laser when you can mow down tons of people, especially kids, with an automatic gun firing bullets?" It makes sense, there's no way a battery could hold enough charge for the laser shots required to equal a high-capacity magazine. And if there's one thing the United States does better than the rest of the world, it's mass shootings. We also like our deaths due to car violence too, which is probably why we never went too far into flying cars either. "If cars are in the sky, what reason would we have to displace people and wildlife to expand freeways in order to save drivers 30 seconds on their commute? And then who would be hit by cars at dangerous intersections if all the cars were in the air? Nope, better to keep the cars on the ground where they can hit more people and we can scar the landscape with more highways and parking." And that's why no laser guns and no flying cars.

Finally, Maxwell Caulfield's outfit here was too good not to comment on. Fluorescent yellow and blue Lycra spandex shorts with a black codpiece (??), and finger-less gloves. And look at the Wes Anderson-style shot composition with him leaning against the door frame, the woman fresh from the Hot Tropic pageant on the other side, and the living room and the windows with the view of the beach to the right. Just an absolute thing of beauty. Now I do need to confess, when I lived in Maine ten years ago, I biked a lot, and as such I needed the finger-less gloves and the spandex shorts. They served a purpose though: the gloves and shorts had gel padding in them, which mitigated the impact of my aluminum bike bouncing on the road. Also, if it helps, the shorts were all black and didn't have a codpiece, and I always wore a shirt too. Maybe it doesn't, and I understand. I realize too that in the interests of being forthright with my audience, I've just made this paragraph in celebration of that fantastic shot above all about me, so I apologize.

And with that, let's wrap this up. Currently you can stream this on Prime. I think there's also a decent YouTube version. As far as PM goes, this isn't a top 10 or even a top 20, but their deeper catalog is a lot of fun too, and this film is a great example of that. Plus you can't go wrong with Billy Dee Williams!

For more info: https://www.imdb.com/title/tt0106244

And if you haven't yet, check out my newest book, Nadia and Aidan, at Amazon in paperback or Kindle!

Demonic Toys (1992)

This is one I've wanted to get up here for some time, especially after doing the sequel, Dollman vs. Demonic Toys, a few weeks ago. Then Netflix put it on its dump list on Watch Instantly, not as a part of the Stars Play Purge, but the day after as a part of their usual dumping situation, meaning this isn't a Stars Play 11, but it's close, and I still had to get it in if I didn't want to miss out.

Demonic Toys follows vice detective Tracy Scoggins as she and her boyfriend/partner go undercover to buy some illegal firearms. She's just told her dude that she's preggers with his kid, which makes him a little overprotective, and that overprotectiveness makes the bust go south. Now he's dead, and the two dealers are in an old warehouse that stores old toys, which is where Scoggins has them cornered. Problem: there are some demonic toys in there, and they want Scoggins and her baby so their demonic master can be born again. I think she's having a bad day.



This is a good one. Some really nice gore, some fun villains, and and a great cast. This is the quintessential early 90s video store rental nostalgia piece, and it really brought me back. I know Puppetmaster is more the film that people first think of when they think Full Moon, but it's what we get in Demonic Toys that captures what I think Full Moon is about more. A great mixture of comedy and kills; random stuff like a guy in a Big Foot suit attacking Bentley Mitchum, or Bentley Mitchum driving a chicken mobile; and memorable, iconic characters that we look forward to seeing in the sequels. Load up your junk food and booze, and make this thing happen.

Tracy Scoggins was great here as the heroine. I was wondering why we haven't done more of her stuff, but when I looked at imdb, I noticed she has a lot more TV credits than she does DTV flicks-- in fact, after Dollman vs. Demonic Toys, it's almost exclusively TV. I'll have to go back though and check out some of those late 80s/early 90s flicks they list of her. One I do remember that I saw back in high school was Alien Intruder with Billy Dee Williams. That might be one to put on the radar.



One difference between the Demonic Toys in this as opposed to Dollman vs. Demonic Toys, is that here they do a lot more killing. And when they kill, it's pretty nasty. Lots of chunks bitten out of people, that kind of thing. Compared to a lot of Full Moon flicks I've seen, that type of gore was a bit of a departure, but I loved it. A big gross jack-in-the-box popping out and biting a dudes neck works every time-- in fact, the more the better.

Bentley Mitchum was something of a revelation. Maybe he'd just been miscast before, but I didn't know he had this much personality or this much craziness. He has some sweet freakouts, plus, he's really awesome early on smoking a cigarette while putting together a batch of fried chicken for delivery. He has to bring it to the security guard at the warehouse, and that's how he ends up fighting the toys. He just made the film that much more entertaining, and it's too bad he's so often cast in these one-note parts that don't allow him to get after it like he did here.



In some of Scoggins' dream sequences, there was this clock (a pic of which I stuck on the image page) that had a seven with a massive tail on it. It looked like a "Z" for God's sake. There's just a lot of flamboyance in that, a lot of aplomb, almost dandy-ish. It's like the Anthony Newley of sevens. Like, I think that seven drinks a lot of Beaujolais-- or maybe a lot of Claret. Right now, that seven is getting a suit made on Savile Row.

All right, enough of that, let's wrap this up. However you can get this, I say go for it, it's worth it. A solid Full Moon effort, and one that really brings you back to those video store days. I don't want to say they don't make 'em like this anymore, it's more like even when they do, they're still of the 2000s or the 2010s, which tempers some of that nostalgia for me. Sometimes I just feel like watching a good 90s flick, and this is it.

For more info:http://www.imdb.com/title/tt0104083/

Dollman vs. Demonic Toys (1993)

This is another one that I'd been planning to do for some time, and when Emily of Deadly Doll's House of Horror Nonsense came to me for posts featuring miniature baddies for her Vertically Challenged Villains Month, I figured I'd bump this one up and do it now too, like I did with Puppet Master II. I should point out, it's been a long, long time since I've seen Demonic Toys and Bad Channels, two of the three films that this is a sequel of, the third being Dollman, which we did sometime ago. It might mean I missed some things I'd have picked up on if those other two were fresher in my mind.

Dollman vs. Demonic Toys is like a comic book crossover of Full Moon projects, featuring Dollman Brick Bardo (played again by Tim Thomerson), who, after beings stranded on Earth, goes out to California to find Nurse Ginger (Melissa Behr), who herself was shrunk and left shrunk at the end of Bad Channels (actually, in Bad Channels it was Bunny, not Nurse Ginger who was left shrunk, but does it matter?). He makes it to her house and they form a romance, hoping to live happily ever after. Not so fast cowboy. Enter Tracy Scoggins, who has been hunting the Demonic Toys. She hears about Ginger and Brick, and thinks Brick would be perfect to take down the Demonic Toys due to his size. His big gun doesn't hurt either. The Demonic Toys won't know what hit them.



This is exactly as I described it, a comic book crossover in movie form. That's what it felt like, a cool one-off. Even the length, just over an hour, fits that vibe. As someone that grew up with comics and loved it when one-off issues were released with characters from different books put together, to see something like this that captures that vibe is really cool. Tim Thomerson is his usual awesome self reprising his role as Brick Bardo, and the showdown between him and the Demonic Toys is everything I could've asked for. Scoggins and Behr were also great, as was Phil Fondacaro, who had a small part as a security guard (no pun in tended). Add to that Quiet Riot in the film's soundtrack, and you can't lose. Even though a chunk of the film gives you enough backstory that you can watch this without seeing the previous films first, you should at least take advantage of Dollman and Demonic Toys on Watch Instantly beforehand, because it'll make this one a little more fun.

I guess we start with Tim Thomerson, right? He's so deep into his Brick Bardo character that there's no question about anything being silly with him fighting an over-sized baby doll or duking it out with a Conan O'Brien action figure. He plays it so straight, yet so cool, that it all works and makes it that much better for all of us. In fact, the entire cast plays it pretty straight, which makes all the difference in films like this. Thomerson also has an interesting distinction here at the DTVC: he's one of the few non-Hall of Famers to have more tags than some of the inductees. The question is how to rectify that: get more films for those Hall of Famers, induct Thomerson this fall, or both?



I want to stay with this shot of Thomerson here, because it's archive footage from Dollman, which was directed by Albert Pyun. I wasn't sure if I should the tag Pyun, because it is his footage that's being used. I mean, I've tagged actors for smaller appearances than the amount of footage from Dollman that we had in this. I wonder how that works as far as Pyun goes for money, or if Band owns the rights. Same with the actors, like Michael Halsey, Vincent Klyn, and Jackie Earle Haley. I don't believe they're credited either. Should I tag them or not too? There's also the character name "Brick Bardo", which Pyun has used a lot. Was there any dispute about who owned the rights to it after the fact? Another interesting Pyun connection here was Anthony Riparetti, who worked on the music. He's worked on a lot of Pyun's films, usually credited as "Tony" Riparetti.

I loved the Conan O'Brien action figure. How is that not awesome? He of course predates Conan's run on Late Night by about a year, but still. It's too bad Conan doesn't have the rights to all his characters, because you could have a great crossover with them and the Demonic Toys. Imagine Triumph the Insult Comic Dog, the Reverend Otis K. Dribbles, the Masturbating Bear, Pimp Bot, maybe even the Ear of Corn, all fighting the Demonic Toys, or maybe the Puppets from the Puppet Master series. A guy can dream, right?



As I mentioned above, this film clocks in at a cool 64 minutes, which isn't much. I always hear the term "feature length" tossed around, and wanted to find out exactly what it was, so I did what anyone would do, I went to Wikipedia. According to them, there are multiple definitions for feature length, some as short as 40 minutes, but the rough standard for an adult feature is 80 to 210 minutes. Do I think this one at 64 minutes should've been longer? No, 64 worked, and I imagine, if Band were forced to make it 80, he'd just add five more minutes of archive footage from each of the three original films, and one more minute of credits, and he'd have his 80. Give me shorter with less padding every time. I always say, anything after 88 minutes is borrowed time and better be damn good.

We are two-for-two this week on Full Moon flicks, the other being Puppet Master II. I daresay I like this one even more. If you like Full Moon, you like Thomerson, and you like the old comic one-off with tons of different characters, this is your flick. Right now it's on Watch Instantly. I can't think of a 64 minutes better spent. (Okay, maybe I can think of a few ways, but not many.)

For more info: http://www.imdb.com/title/tt0106743/

The Cutter (2005)

I'm not a big Chuck Norris guy. I kind of liked watching Bruce Lee kick his ass, and Good Guys Wear Black wasn't so bad. Walker, on the other hand, was just a whole mess of Conservative propaganda served up in a dude in a pick-up who drove around and beat the crap out of stunt men. The only way I could handle that was on Conan with the classic Walker: Texas Ranger Lever.

The Cutter has Norris as a disgraced cop-turned-PI who's helping a woman find her uncle. Her uncle's an expert diamond cutter, and he's been kidnapped by none other than DTVC fave Daniel Bernhardt. Bernie needs him to cut some huge stones that he's stolen from some archaeologists. Norris chases him around, Bernie kicks his ass, an asshole FBI dude gets in the way, and finally for no good reason other than he's Norris, he bests Bernhardt and saves the day. Tracy Scoggins is in this as well.



Bernhardt was awesome in this. If he didn't murder seven innocent archaeologists in cold blood, he'd have been perfect. As it was, he was way more of a sympathetic figure than Norris was. This film had some religious undertones, which wasn't a surprise considering Norris' recent support of Huckabee as a presidential candidate. It was cute listening to Norris quote the Bible here and there. Otherwise, this is the same schlock fare of good guy with a good heart who triumphs over the bad guys, and its predictability is hard to cope with.

Norris is a pretty bad actor. I think I always knew it, but here it was worse than usual. He was like a Rudy Giuliani or Peyton Manning on SNL. The thing was, most of his fellow actors weren't that bad, which exacerbated his lack of ability, like a Will Farrell trying to work with Britney Spears in a sketch. I can accept this poor acting if the martial arts are there, like I do with Don "The Dragon" Wilson, but Norris was lacking there too. He got his ass kicked by Bernhardt for most of the film, and when he did best him it was because the plot demanded it, and it was really unrealistic.



Let's get back to Bernie. Here's a cat that's totally lobbying the panel for induction into next year's Direct to Video Connoisseur Hall of Fame. He was too sweet in this as an international professional criminal. The mustache was a great touch when he was sneaking into the country. His demeanor far surpassed Norris'. I know he was presented as the slick European juxtaposition to Norris' good ol' American values, but I can't lie, Bernie sells the former better. I love a beat up old Chevy truck as much as a fully loaded Mercedes, but if the beat up old Chevy ain't getting me from point A to point B, give me the fucking import and let's go balls to the wall all the way to Albuquerque. I wouldn't have minded it at all if Bernhardt succeeded in his plans and won the movie. I also know a Norris production could never be that creative to give as cool an ending as that.

Marshall Teague is in this as Norris' good buddy in the local police department. You may remember Teague as the guy from Road House who fucked guys like Dalton in prison, and had his throat summarily ripped out for making said declaration. After a role like that, I have trouble trusting those dudes. He needed to double cross Norris, and it never happened. He should've been on the take helping out Bernie, and Norris could've found out and ripped his throat out too. Had that happened, it would've been the coolest non-Bernhardt thing in the film.



Tracy Scoggins is in this. Many probably remember her from Babylon 5 and her great role as Cassandra in Highlander: The Series. That story arc with Methos and The Four Horseman might have been one of the best ever for a syndicated TV show. This also has Joanna Pacula, who was in the previously reviewed Warlock: Armageddon. I wonder how she felt acting with Norris after acting with Julian Sands.

This is not a movie to rent by yourself. You need about four or five like minded people to sit with you and help you make fun of this. Bernhardt's awesomeness is overshadowed by Norris' stupidness, and it'll take some work from you and your friends to withstand Norris by mocking every minute of this film. If you watch it alone you might stab your eyes out, and we here at the DTVC don't ever want to see anyone hurt by these films.

For more info: http://www.imdb.com/title/tt0432267/