Do or Die has Pat Morita as evil villain Kaneshiro, "Kane" for short, who is not happy that our heroes Dona Speir and Roberta Vasquez keep disrupting his criminal plans in previous outings. So when he corners them outside a charity luau, you'd think he'd just kill them and call it good. But then we wouldn't have a movie, so instead he has one of his goons, James Lew, attach a tracker to Speir's watch, they send the ladies on their way, and then he has six pairs of mercenaries that will each go out to kill them. Why not send them all out at once so they win with their superior numbers? Again, if they did, we wouldn't have a movie, so they go two-by-two, while Speir and Vasquez round up the gang, including a newly minted hero Erik Estrada, and they head down to Dallas and Louisiana to draw out the baddies and take them down.
As an entry in this series, this may be one of the weaker ones, but the floor on this series is so high that that still makes this better than most DTV actioners you'll watch, especially when taking the Pepsi Challenge with anything from the 2010s or 2020s. Morita is a fantastic villain, there's a good mix of action and boobs, and all the fun you'd want from one of these is there. Even if we don't have Obregon, we do have the rest of our favorites, including Bruce Penhall, Cynthia Brimhall, Michael Shane as our Abilene who can't shoot straight, Richard Bumiller as the smooth-talking agency man, and Richard Cansino and Chu Chu Malave as our bungling assassins. I think where this might be weaker, is the plot is a bit contrived--again, why is Morita not just killing them, but also, when we have the assassin teams, they're always outnumbered by our heroes, which could be a good statement on how a strong team--a "family" per se?--that sticks together can overcome pairs of baddies--but it felt off because it always felt like the baddies were at a disadvantage, which removed any element of peril. All that said, that just makes this a weaker entry for me, not a bad time overall, and this still delivers on the fun and entertainment you want from a Sidaris LETHAL Ladies film.
Another area where this had a bit of trouble is, when they made Erik Estrada a good guy, it was hard to parse him probably wanting it to be his film, and the fact that these should be Dona Speir's films. She does have her own showdown with one of Morita's baddies at the end without any help from Estrada, but he gets more of the big action scenes, which takes some away from her as the main lead. This is Speir's fifth film in the series, and even with Estrada getting some more scenes, there's also still the overarching sense that this is another one of Speir's films, and that's something that I feel like can't be understated. Recently I recorded a podcast on Olga Kurylenko with Will from Exploding Helicopter (episode 127, coming June 13th, so make sure to look for it!), and I think Kurylenko is probably above Speir in work as far as a female action lead, but Speir holds a special place as a woman in the late 80s/early 90s helming an action franchise when that wasn't being done by anyone else in the US other than Cynthia Rothrock--you may give me Linda Hamilton, but Michael Biehn is the lead for the first Terminator, and Arnold the second. The LETHAL Ladies films after Picasso Trigger are built around Dona Speir as the lead, and, again, I don't think that can be understated, and even with Estrada taking some of the limelight, there's still no question she's the lead.
Erik Estrada is back, but instead of being his previous baddie self--who was blown up by Speir in the previous entry--he's now playing a new character. It's an interesting idea, especially as I'm looking at the Fast and Furious films as part of my DTVC Extra series that I'm running on the off fortnights where I don't have main podcast episodes. Vin Diesel's approach is to take villains and turn them into heroes in later films, which can be a stretch with someone like Statham's character where he's killing people close to them. What if they did it this way, if Statham just came back as a new character? It worked here, but could it work in something like the Fast and Furious franchise? Probably only for people who watch Sidaris films, right? This is it for him in the series though, which means it could be some time before we see him again here, but we'll see if we can't at least mix in some Light Blast or Night of the Wilding. As much as I say this should be Dona Speir's film, back in the 90s seeing his name on the bill when this was on cable would have been a big seller for me, and it was great that they were able to bring him back for a second film like this.
Going back to the Fast and Furious films, these films kind of follow a similar tract, two or three decades before Vin Diesel created the model. From Hard Ticket on, it's always about teams, working together to take down a horrible baddie, and while they may not be as culturally diverse as the crew in the Fast and Furious films, they were early in spotlighting females in lead roles--and actually unlike the Fast and Furious films where women are always supporting roles, this one goes from Speir as the lead to Julie Strain as the lead. And with this cast working on multiple films together, that sense of family bleeds through the same way Vin Diesel has it bleed through in the Fast and Furious ones. I'm sure if you asked Sidaris, he'd have loved to have had the budget Universal gives the Fast and Furious films, but based on the success of the LETHAL Ladies films, maybe when Fast Five came out we should've expected the series to be that successful too, because Diesel was working from Sidaris's playbook, only with more special effects and fewer boobs and buttockses.
Finally, I learned from this film that Dallas, TX and Shreveport, LA are less than 3 hours away from each other. It's one of those quirks about America, unless we've really been in an area for a period of time, we often don't think about how the states are connected in certain areas, or how far one place is from another. Like in my head, Dallas is further in the center of Texas, and I never think about the fact that Louisiana borders Texas, even though if you gave me a blank map of the US I could name both states and see that they border each other. It's a similar thing for me in Philadelphia, people often don't realize how close we are to New York City and Washington, DC--both cities are closer to me than Dallas is from Shreveport. This was not one of the ones that I saw when it came out--much later I saw it on TBS after 2am, that beautiful classic Sidaris opening credit sequence like comfort food for my alcohol soaked brain as I'm eating leftover junk food and trying to keep the room from spinning, I was in no position to question how the team could drive from Shereveport to Dallas so quickly--but had I seen it in middle school or high school, the geography lesson would have been invaluable. Who said Andy Sidaris films can't be educational?
And with that, let's wrap this up. As of this writing, you can catch this and all the other LETHAL Ladies films on Tubi here in the States. While it may be one of the weaker entries, it is still a lot of fun, and delivers in ways that a lot of modern films can't.
For more info: https://www.imdb.com/title/tt0101744
And if you haven't yet, check out my new novel, Holtman Arms, at Amazon in paperback or Kindle!
No comments:
Post a Comment