The Direct to Video Connoisseur

I'm a huge fan of action, horror, sci-fi, and comedy, especially of the Direct to Video variety. In this blog I review some of my favorites and not so favorites, and encourage people to comment and add to the discussion. For announcements and updates, don't forget to Follow us on Twitter and Like our Facebook page. If you're the director, producer, distributor, etc. of a low-budget feature length film and you'd like to send me a copy to review, you can contact me at dtvconnoisseur[at]yahoo.com. I'd love to check out what you got. And check out my book, Chad in Accounting, over on Amazon.

Sunday, April 28, 2024

VFW (2019)

I say this a lot, but this is one I'd been meaning to get to for a while now. When my wife and I subscribed to AMC+ so she could watch Mad Men, I knew I had no excuse to not make it happen, but then she got all the Mad Men episodes on Amazon Prime, so every month I wasn't watching this was another $10. Instead of renting it for $4, I've spent like $40 or $50 with the subscription at this point. Anyway, in addition to us, Bulletproof and Mitch at the Video Vacuum have covered this too.

VFW is about some aging veterans whose relaxing VFW location is under siege after a young lady (Sierra McCormick) escapes to there with an evil drug dealer's drugs. Now he wants them back, so he sends a host of drug addicts over to violently retrieve them. Our vets, led by Stephen Lang, can't have that, so they go about fashioning weapons out of anything they can find, and ready themselves for wave after wave of attacks. Will our heroes survive the night? 


This is definitely a good deal. The prodigious cast is the biggest selling point, and director Joe Begos doesn't sell us short on that. There are no bait-and-switches here, the names on the tin are names you see throughout. The fact that everyone involved is able to balance all of these stars in one location for a large chunk of the film is no small feat either, but between Begos's direction, and the talent involved, they make it work. Beyond Lang, we had DTVC Hall of Famers Fred Williamson and Martin Kove, plus William Sadler, George Wendt, and David Patrick Kelly. They can as easily give you a monologue as they can smash a baddie's face in, and make both just as believable. If there's a qualm, it's the dark lighting, which made it hard to see everything that was happening. It also betrayed the 80s throwback vibe the rest of the film was going for, from the music to the practical effects. The one thing digital cameras can't do yet is look like they're 80s movies shot on film, so we don't get the full comfort food effect that we'd get watching an actual 80s film. That's one qualm though in a movie that overall hits its marks and is well worth the watch.

We're always saying we're going to get more Williamson on the site, but this is now four films since December--though to be fair, one was a one-shot cameo in The Outlaw Johnny Black--so we're actually keeping to it for once. Williamson is pretty solid here. He's playing a Korean War vet, which means he's actually playing someone older, because he would've been 15 when the Korean War ended. I don't know if they thought he was too old to be a Vietnam Vet like the rest of the guys, but he would've only been in his mid-20s for the Gulf of Tonkin. It was an interesting decision, because I don't think they realized how old they were making him. Still, he delivers the Hammer performance you want, and it was great to see him in this. We're now at 32 films for him on the site, and if we keep doing one every other month, we may get him to 36 by the end of the year. We'll see if I stick to it.


Another Hall of Famer in this is Martin Kove. We don't see him as often--the last time was in August of 2022 when we did Death Match, and every two years sounds about right. That doesn't mean we don't love him, he's a Hall of Famer for a reason, one of the best to ever do it, and it's been nice to see him get more shine recently through the Cobra Kai TV show. Here he's one of the heroes, but still behaves in a way that puts everyone in peril. Unlike Williamson, who is someone we want to get as much stuff up as possible, with Kove it's more about films like this, or some of his PM stuff like To Be the Best that will get him back on the site; but who knows, maybe at some point when the bigger names are closer to completed, Kove may get more frequent tags. Right now he's at 18, so it could be some time before we get to that point.

There were a lot of other names that we don't usually see here on the site. George Wendt we've seen one other time, in the Dennis Hopper flick Space Truckers. As someone who grew up an hour north of Boston, Cheers was on quite a bit, and we all loved Norm. At some point the Cheers bar at Logan Airport had a likeness of him, and he sued them over it, which makes sense--you don't want to be associated with overpriced airport fare. The main star was Stephen Lang, and we've seen him one other time as well, with the Seagal flick Gutshot Straight. He's great here as the lead, and really carried things. I thought for sure he'd been in something else we'd covered, but when I looked through his bio, I saw almost all big screen credits. We also had David Patrick Kelly, who I thought was too young to be in a movie like this, but it turned out he was born in 1951. For an ensemble with names like this, he was a bit further down the priority list, but still turned in his usual solid supporting performance. Finally, we had the great William Sadler. Another one that hasn't appeared on the site yet, but last year he did a great interview with Jon Cross on the After Movie Diner podcast that you should definitely check out. After listening to that I became a bigger fan of his, so it was fun to see him here and finally get him on the DTVC.


Finally, this is technically a horror film in addition to action, and as you've probably noticed, we don't do as much horror on the site here. In the past year it looks like we've done five horror films in addition to this one: three of which were directors we follow, Albert Pyun, J. Horton, and Harley Wallen; another was a documentary on W.A.V.E. productions; and the fifth was a Julie Strain movie in March of 2023. Part of it you see right away on the IMDb page, where this movie has 112 critic reviews. Adding my review to that ecosystem means it's probably only going to be seen by people who regularly follow the site, and while that's not a reason for me to not cover it, it's the reason why we do more action than horror, because action fans tend to find us more easily from IMDb when they're looking a film that maybe has 20 critic reviews--or in some cases even less. Horror is always going to be something I love though, and this film with its mix of horror and action elements reminded me how much I enjoy it, even if my pile of "to review" films is mostly action.

And with that, let's wrap this up. Currently this is available on AMC+. If you're already subscribed that's great, just don't end up like me and paying $10 a month for a service you don't really need just to make the film happen. Hopefully it'll make its way to the free streamers at some point.

For more info: https://www.imdb.com/title/tt9894470

And my newest novel, Don's House in the Mountains, is available now on Amazon! Click the image to buy.

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